A historiographical hypothesis about Argentine photography that explores the ways in which historical accounts are constructed and their relationship with power centres. An essay about the so-called Infamous Decade, an Argentine stage that starts from the first civilian-military coup of the 20th century in the country and marks the return of the conservatives to the government.
Curator: Veronica Tell 57 Inkjet Prints. 20x30 cm
Edition of 5 + 2AP.2017